I wonder why some people feel disappointed?
This is CAMRA’s show and dismayed as I am that there’s no
Kernel, Camden or Magic Rock on show (as predictable as the signs of
craftites’ tedium at the winner) and that the American cans on display cannot —
apparently — be sold, this is their show and they can do what they like.
I judged on Tuesday morning and out of the five beers I
received I am pretty sure I got Elland and it was brilliant — my first thought
was how Lowestoft, in that I took in the sort of smoky hints on the nose that
wouldn’t be out of place in a box that had once held smoked herrings; then
there was plenty of chocolate (milk), coffee (mocha), vanilla and raisins as
well as an all enveloping darkness that put me in mind of that hour before the
first silvers of dawn start to appear in between gaps in the curtains. I think this was our table’s winner.
I also had a best bitter, which — having being unimpressed
down the years when judging this category — surprised and delighted me with its
sprightly condition, lychee-like notes on the nose and a fan-dance of tropical
fruit (without being too overwhelming) on the palate.
Meanwhile once down in the hall, I got in line with the
likes of oak-smoked Schlenkerla Rauch, Sierra Nevada Hoptimum, Matuska Raptor,
De Molen Rye IPA, St Arnold Amarillo Hefe, Greene King 5X, Boulevard Tank 7
and, er, on the recommendation of a fellow writer, Barnsley Bitter. Even though
I love well-hopped beers (judging in Rimini earlier this year I fell in love
with several Italian DIPAs) I don’t just want hop bombs, that’s like those big
fat men who always insist on having the hottest curries.
Following on from my post about smugness, there does seem to
be this element of spite and childishness developing within some sectors of the
craft beer ‘movement’, which ironically enough is a natural mirror to the
Colonel Bogey, green ink letter writers to What’s Brewing who treat cask beer (though they call it real ale)
like a holy relic. Both sides are exceedingly irritating and increasingly foam-flecked — or as Orwell put it: ‘The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which’.
Oh well, wish I were going to the London Craft Beer Festival this weekend.
Oh well, wish I were going to the London Craft Beer Festival this weekend.
I wonder what their objection can be. 1872 Porter is an excellent beer, at a very beer geek friendly strength, from a small craft brewery. If it was American they'd probably love it.
ReplyDeleteI thought it so predicable I make a preemptive post about it this year.
ReplyDeleteGreat photo - Edward Hopper's "Nighthawks". Nice words too!
ReplyDeleteI agree completely with Chris' comment. I appreciate the 'smugness' blog, too, as that's been around for a while, I think. Plus, lots of post-BrewDog (but not handled half as well)marketing seems to be the rage at the moment, declaring all other beers apart from that one crap. It's misguided, as misguided as the notion that, thanks to dragons den, to be a successful businessman these days you need to be a complete twat.
ReplyDeleteWhat I get from it is further fracturing of real ale and craft spheres. One wonders if, as chris said, if it was renamed, rebadged, etc, further praise would arrive. As you say, the bottom line is this: 1872 is a great beer; on the day, the best beer. And that's what the award's for, isn't it?