However, the other thing that the beers propelled into the forefront of my thoughts was a memory of InBev’s Artois Bock, which perhaps one could say was one of the first attempts by a massive brewery to go all craft. Released in 2005 after much tasting and contemplation by the likes of Michael Jackson and Mark Dorber, it had, according to a piece I wrote in the Morning Advertiser at the time, ‘a smart stainless steel font and bespoke glassware, while quirky ads told the trade of this new arrival in what was called the “Artois family”’. No mention of the taste then.
One of my main memories of it was that in 2005 I was in my first year as secretary of the British Guild of Beer Writers and one of our major awards was sponsored by Artois Bock and InBev, which didn’t go down well with some members (InBev had announced the closure of the Hoegaarden brewery at the time). It was served at the Guild’s awards and dinner (and untouched by some) along with caramelized boneless quail with grapes, shallots and a Fuller’s Honey Gold reduction, accompanied by sweet and sour endive; meanwhile a wine writer won the eponymous award. The Artois family was then joined by something called Peeterman, an ethereal (read bland) light beer and then the ‘oak-aged’ lager Eiken Artois — all went the way of the ark in 2008.
I suppose it was all an attempt to give the brewers of Stella a bit of an upmarket cache, but as soon as I saw bottles of the Bock knocked down to £1 in the supermarkets I guessed the beer’s days were numbered — the beer was ok, but I seem to recall being underwhelmed by its character, disappointed, especially as the tasting notes on a chalkboard in the White Horse seemed to bear little relationship to what was in my glass (I blamed myself). Meanwhile, Peeterman was incredibly watery and I never even bothered to try Eiken.
I hope that the larger breweries continue to produce their niche beers, if only to demonstrate that their brewers can make good beers beyond the ones they make day in and day out (I also hope that they can perform that great mythical dance of being a ‘gateway beer’). However, if you see the bottles discounted in the supermarket then remember Artois Bock, the beery Nineveh of its day.
Bizarrely, Guinness had a craft marque as long ago as 1998, with a witbier and a dark lager in the range. It never got past the test phase, which is unfortunate as it was way ahead of its time.ReplyDelete
I must admit I didn't bother with these beers when they came out, but I subsequently saw Peeterman was an obscure old style and I wondered if I'd missed out. I'm glad to hear I didn't.ReplyDelete
As I was reading, I was also thinking of the St. James's Gate beers. There was a "Pilsner Gold" too. Think I only have a photo of the glass I once had.ReplyDelete
The problem with big brewing corporations attempting to do something niche is that whatever character they beer may have had at the prototype stage will more often than not be gradually stripped by power point presentations, forecast, budgets, focus groups, etc. If only they trusted their brewers a bit more than their economists and MBA'sReplyDelete
Ed, I felt the same until I let the liquid flop on my tongue like a beached whale of no flavourReplyDelete
BN/Barry — and then there was Heineken and its tripel, apparently
Max — marketeers never trust brewers it seems to me
Is that the one Heineken home-brewed in its museum? Ron P. has a report here.Delete
yes that’s the one I was thinking of and I recall Ron writing aboutReplyDelete
Surely Marstons have always been craft? They brew real ale anyway, and that makes them craft in my book.ReplyDelete
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