Here we are in the Alexandra Hotel in Derby, a two-roomed trad pub that is always somewhere I make time for whenever I have time in Derby (maybe I’m also paying my respects to the late Simon Johnson as this was where the two of us ended up after a fun afternoon of drinking not long before he died). And so I sit with a glass of Pentrich Citra IPA (hazy, plumpish in its fruitiness and rapier-like in its bitterness) and there is a joy in my heart as I note the hooks that hang beneath the brow of the scuffed, dark brown bar. It’s a habit I have, a tradition perhaps, or maybe a nervous tic, but all too often when I find myself standing (or sitting) at a bar, elbow in a puddle of spilt beer and crushed crisps, I always put my hand beneath the brow and search for a hook, usually something on which I can hang my rucksack (just like the chap has done in the photo). It’s a neat little aid, a helping hand to the drinker, perhaps even a link with the kind of imagined past that some pubs are so adept at.
Showing posts with label Derby. Show all posts
Showing posts with label Derby. Show all posts
Wednesday, 30 August 2017
Sunday, 28 June 2015
More cliches
In light of the conversation regarding cliches in writing about beer, which appeared here, and with some time on my hands I knocked up this quick review of a pub I recently went to in Derby. I’ve not been too punctilious in the hunt for cliches and have probably let several slip. All part of the fun of writing, perhaps?
The Falstaff, Derby
The Falstaff, Derby
A caricature of jolly Sir John Falstaff sits in the middle
of a beer mat on the table at which I sit. It’s a crude (as in not very well
drawn rather than Donald McGill) representation of the man, but his red-faced,
pot-bellied jolliness still shines even though he usually sang the praises of
sack rather than ale.
However, I’m sure if he was to saunter into this comfortable
neighbourhood corner pub, Sir John would be all too happy to sink a pint of
beer, especially as not only is the pub named after him but also the brewery at
the back.
I am in the lounge of the Falstaff, whose décor could be
described as a symphony in brown allied to a lime-green colour scheme on the
wall. Think robust settles and time-smoothed banquette seating alongside sanded
and scuffed wooden flooring, while the walls are home to a variety of
bric-a-brac including barometers and various labels for the beers that the
Falstaff’s brewery has made in its 11-year history.
I continue to look about and the interior of the lounge
starts to reveal more artefacts, as if it were an onion being peeled. As well
as the barometers, there is a selection of brass bits and pieces used for
looking after casks in the cellar, a brace of fireguards with ‘Take Courage’
embossed on their surface and a old hand-carved wooden ornament at the heart of
which sits a clock.
Meanwhile Sir John’s modern (and less corpulent) equivalents
are enjoying themselves in the public bar. As the pints are pulled, I am aware
of the drifting smoke of conversation: someone is complaining about the time it
takes to send a parcel to Scotland, while another mentions King Lear. When a
reedy voice describes his time at Bayreuth and Wagner’s Ring Cycle it feels
like a game of pub one-upmanship. The conversation stops and a dog barks
gruffly as if to say ‘carry on’.
So I take the dog’s advice and order another pint of A Fist
Full of Hops and a packet of crisps (there’s no food here, this is one of those
rare foodless pubs). I suspect the brewer has a Clint Eastwood thing going as
another one of his beers is called The Good, The Bad and The Drunk but as it’s
6.2% it’s probably just as well it’s not on at the moment.
The beer in my glass is a pipsqueak at 4.5%, very easy to drink and another pint soon looms. Whilst back at the
bar I catch the eye of a poster on the wall advertising the brewery’s bottled
barley wine called Hades. At the Leviathan-like strength of 15.4% this is only
available in bottles and sensibly only sold off sale: I expect the morning
after would be hell, even for Sir John.
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