Showing posts with label Thomas Mann. Show all posts
Showing posts with label Thomas Mann. Show all posts

Wednesday, 23 August 2017

A Tale of Two Breweries: Budvar, Lost Grounded

Two breweries. The division, time and distance, 1895 the year Budvar was kindled, in a town where German was the spoken word, while 2016 was when Lost & Grounded took root in the fertile soil (metaphorically speaking, in a sort of English) of Bristol. Both of them I visit in the space of 10 days, drink the beers their brewers produce, spend time amidst the gleaming turrets and tanks and spires and flights of fantasy that brewing kit (whether stainless steel in its nakedness or clothed in a copper carapace) seems to inspire in me. The brewing space in Budvar has the stillness of the cloisters about it, the monks nowhere to be seen, bending the knee in their devotions in another space perhaps, while Lost & Grounded was a boisterous space of people drinking and appreciating and listening to beats from an another age (a DJ like a warrior throwing out his views on the world). In Budvar, as well as beers drunk at different ages, I tasted the water, bright and as clear as the air in a mythical mountain range straight out of Thomas Mann. It had no mineral character, or either salinity, both of which you would expect to pick up in a brewery’s water. It is neutral and plain in the taste with a purity of a child’s voice. 


Meanwhile, at Lost & Grounded, I tasted collaboration. First of all, Accidental Icarus, a beer the brewery made with Verdant: oily, a fruit bowl ripeness, sub-Saharan dryness, and hints of basil amidst the centre of the palate; then there was Burning Sky’s Les Amis du Brassage, a collaboration with New Zealand’s Fork & Brewer, a three year old saison aged with a 10% blend of Girardin lambic in Chardonnay barrels. Lazy and bucolic in the glass, juicy and citrusy and tart and peppery, it called to me with the yearning of a slow-played cello glutting itself on a surfeit of minor chords. And as I meditated over a second glass, I thought of Budvar and then of Lost & Grounded: two totally different breweries, but both with a soul and a sensuality that links then more than divides them. 

Thursday, 14 May 2009

German porter


Just ploughing my way through Thomas Mann’s Buddenbrooks and come across a reference to the head of the eponymous family enjoying his porter while the Bavarian hop merchant who has been squiring his daughter sings the praises of Bavarian beer (presumably golden). It’s set in the 1860s in a North German port that approximates to Lubeck, while Mann was writing this towards the end of the 19th century — this suggests that German porter was still common enough to be noted. Presume that the unification of Germany in 1871 was the beginning of the Reinheitsgebot being rolled out through the whole of the Second Reich. This is not exactly breaking news, I know, but also makes me think about other great works of literature that feature beer. Flann O’Brien and porter are synonymous (whether in At Swim Two Birds or other works I know not), I seem to recall Bass’ No 1 barley wine being mentioned in the evening section of Joyce’s Ulysses, while a bit more closer to our time, Graham Swift’s Waterland featured a town brewery that produced an extra strong ale for some local event (possibly the end of WW1), mass consumption of which caused the brewery to be burnt down. Swift also wrote Last Orders, though for me one of the best books about pub life is JM O’Neill’s Duffy Is Dead — if you ever spent time in Hackney’s Irish pubs in the 1980s then this is a glorious if bleak evocation of time ill spent.
(by the way that’s not a glass of German porter, it’s actually an Alt from a brewpub outside Dusseldorf and I’m not making comparisons with various forms of fermentation either, I just thought it a nice picture)